We went through a genuine indie sonic aesthetic in the 2010s (a bunch of Vampire Weekend / MGMT soundalikes) and nobody wants to honor it at the level of, like, 80s synthpop or 90s grunge.

I would call this genre something like "hipster runoff," inspired by the eponymous publication and by this line in a review of Reptar's Body Faucet:
>an acoustic reggae cover in a crack den. … Afrobeat-tinged equivalent of landfill indie
theguardian.com/music/2012/jun

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The strongest knock you can make against this stuff is that it's unoriginal. SO FUCKING WHAT. Nobody cares that all of the synthpop of the 80s was downstream from Kraftwerk. A sound is not a patentable invention. This isn't science, it's a scene.

The second-strongest knock you can make against this is that it's all bro-y, the kind of stuff you'd hear blasting out of a frat house while guys named Trevor smoke salvia inside. Again, SO FUCKING WHAT. That's not considered a knock against other art

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